Microphones

Audio-Technica AT2035 Large-Diaphragm Condenser Mic

★★★★★ 4.7

✅ In stock — 9 available

The Audio-Technica AT2035 is the microphone we recommend most often to people making their first serious upgrade. It sits a clear step above entry-level condensers in build and sound, includes the shock mount you actually need, and adds two switches that make it usable in rooms and on sources where cheaper microphones struggle. WHERE IT SITS IN THE RANGE Audio-Technica's 20 series is one of the most widely used microphone families in project studios worldwide. The AT2020 below it is the standard first condenser. The AT2035 adds a larger diaphragm assembly, lower self-noise, a switchable pad and a switchable high-pass filter, and it ships with a proper shock mount rather than a rigid clip. Those additions are the difference between a microphone that works in ideal conditions and one that copes with real ones. KEY SPECIFICATIONS Type: large-diaphragm side-address cardioid condenser Polar pattern: cardioid Frequency response: 20 Hz to 20 kHz Self-noise: approximately 12 dB SPL Maximum SPL: 148 dB, or 158 dB with the pad engaged Dynamic range: approximately 136 dB Sensitivity: approximately minus 33 dB re 1 V per pascal Signal-to-noise ratio: approximately 82 dB Pad: switchable 10 dB attenuation High-pass filter: switchable 80 Hz, 12 dB per octave Power: 48 V phantom power required Included: custom shock mount, protective pouch THE TWO SWITCHES ARE THE REASON TO CHOOSE THIS OVER THE AT2020 The 10 dB pad raises the maximum handling from 148 dB to 158 dB. That takes the microphone from comfortable on voices to usable on genuinely loud sources: a guitar cabinet, a snare drum, brass, or a singer who belts. Without a pad, a condenser in front of a loud source can overload the microphone's own electronics before the signal ever reaches your preamp, and no amount of turning the gain down fixes that. The 80 Hz high-pass filter removes low-frequency energy at the microphone. Air conditioning rumble, traffic, footsteps on a wooden floor, desk vibration and the proximity boom you get from working very close all live below 80 Hz. Removing them at source is cleaner than trying to fix them later, and it recovers headroom in the recording. WHAT IT SOUNDS LIKE Balanced, with a gentle presence lift rather than the more pronounced brightness of the Rode NT1-A. On spoken word it is clear without being sibilant. On acoustic guitar it captures string detail without harshness. On vocals it tends to sit well in a mix with minimal equalisation, which is exactly what you want when you are learning to record. If you want maximum air and detail, the NT1-A is brighter. If you want a microphone that behaves predictably across a wide range of sources, the AT2035 is the safer all-rounder. WHO THIS IS FOR Home studios upgrading from a starter microphone. Podcasters in reasonably quiet rooms. Musicians recording acoustic instruments, vocals and amplifiers. Content creators who need one microphone that handles several jobs. Schools and churches building a small recording setup. It is also a sensible second microphone for someone who already owns a dynamic such as the Shure SM7B, since the two are complementary rather than overlapping: the dynamic for control in noisy rooms, the condenser for detail in quiet ones. WHAT IT NEEDS 48 V phantom power from an interface or mixer. A stand, and ideally a boom rather than a straight stand so you can position it properly. A pop filter for close vocal work; the shock mount is included but a pop shield is not. A room with some soft furnishing. A condenser in a bare concrete room will faithfully record the concrete. Curtains, a rug and a duvet behind the microphone will do more for your recordings than any upgrade at this price point. PRACTICAL NOTES It is a side-address microphone: sing into the face with the badge, not the top. Engage the high-pass filter by default for spoken word. There is almost never useful content below 80 Hz in speech, and removing it makes everything downstream easier. Store it in the pouch. Dust and humidity shorten the life of any condenser capsule. WARRANTY, DELIVERY AND ADVICE Genuine Audio-Technica stock with a 12-month warranty, delivered across Kenya with payment on delivery by M-Pesa or cash. Describe your room and what you are recording and we will confirm whether this is the right microphone before you spend.

• 🚚 Countrywide delivery (flat KSh 350, KSh 200 within Nairobi)
• 💳 Pay via M-Pesa on delivery — no upfront payment needed
• 🛡️ Genuine products with warranty